Scenes of dissensus and processes of political subjetification in the enunciative poetics of the pixações

Abstract

The aim of this article is to argue on how pixação, when defying and subverting the institutional efforts directed to its capture and neutralization, can be see within an enunciative/political/poetical and communicative form, capable to unchain scenes of dissensus that, in turn, make possible political subjetification processes. The resistance offered to the attempts of the institutional power in capturing these actions of urban intervention can be analyzed, in the light of Rancière’s contributions, from the trajectory of the group that pixou, consecutively, the Biennales of Arts of São Paulo in 2008 and 2010, and the Biennial of Berlin, in 2012.